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Tomasz Madajczak
“All which is blue”. The work is based on the minimal move of changing the colour of the light which enters the room. Normal white daylight had been filtered through ultramarine foil. This made the light in the room sharper and more defined. Also; all the objects and every person in the room took on an ultramarine colour. All the other sources of light were made more intense, while through the contrast their natural colour became apparent. And so the light coming from the bulbs in the lamps lighting the room became orange, in places gradually hanging to purple. The light of the luminescent tubes revealed its greenish colour. The daylight coming in through the slightly opened window was brilliantly yellow. This work functioned from down to dusk.
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